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53.05.03 Музыкальная звукорежиссура

51.05.01 Звукорежиссура культурно-массовых представлений и

концертных программ

Контрольная работа № 1 (первый год обучения)

1.Readthetext. Translate the words and expressions in italics (in writing)

It's interesting how some of the best film music was actually composed for the worst movies. There's a good reason for this. Slasher films, cheap sci-fi flicks, gothic horror and monster movies generally include lots ofaction sequences and get by on atmosphere rather than on good plots and great acting. A fine score can make or break such a film, and some very great composers labored long and hard trying to salvage wretched onscreen material. One of these was Franz Waxman, whose score for The Bride of Frankenstein set new standards for the horror genre and whose delightfully rich work on Mr. Skeffington demonstrates just how well good music works away from the screen. Aside from Korngold, famous names like Vaughan-Williams, Copland, Honegger, Villa-Lobos, Stravinsky, Bernstein, Prokofiev, Shostakovich, Arnold, Britten, Walton and many others made notable contributions to this much-maligned genre. In many cases they arranged their own movie scores as suites or symphonies for concert use.

The neglect of many great scores, in fact, has nothing to do with their quality, but rather with the unavailability of the original performance material. Some composers, like Bernard Herrmann (to some, the greatest film composer of all), carefully preserved everything that they wrote. Others saw their work used and discarded by the uncaring studios that they worked for, and reconstruction of these lost scores is a true labor of love. Why, then, include film scores in a classical music guide? Easy: There's no fundamental difference between symphonic music for films and music for plays or any other type of illustrative or "incidental" music. And just as composers in past centuries used illustrative music to explore new sounds and instrumental colors, so film composers have enriched our orchestral vocabulary, too. Jerry Goldsmith, for example, has led the field integrating acoustic music with electronics, something that has earned him the admiration of "serious" musicians worldwide. True, not all film music works equally well away from the silver screen. But the best of it is great music, plain and simple, and it certainly deserves to stake its claim to "classical" status.

2. Which part of speech do these words refer to? Classify the words into categories.

3. Answer the questions (in writing)

4. Put each verbin the brackets into a suitable verb form.

5. Use the required form of the adjective.

6.             Put a/an, the or no (-) article in each space.

7. Put each verb in the brackets into a suitable verb form (№ 1-5). Translate the sentences into English (№ 6-10). Use the Active Voice.

8. Put each verbin the brackets into a suitable verb form (№ 1-5). Translate the sentences into English (№ 6-10). Use the Passive Voice.

9. Ask question to the sentences. The type of question is given after the sentence.

10.Put each verbin the brackets into a suitable verb form.